Formed in Kingston, Jamaica in 1962, ska and reggae pioneers Toots and the Maytals are celebrating 50 years of music in 2012. $1 from each ticket purchased will be directed to The Toots Foundation,which supports underprivileged children throughout the world, especially Jamaica.
Toots and the Maytals, originally called simply The Maytals, are considered legends of ska and reggae music. Their sound is a unique, original combination of gospel, ska, soul, reggae and rock. Frederick “Toots” Hibbert, the leader of the group, was born in May Pen in the Parish of Clarendon, Jamaica. He was the youngest of seven children. He grew up singing gospel music in a church choir, but moved to Kingston in 1961 at the tender age of sixteen.
In Kingston, Hibbert met Henry “Raleigh” Gordon and Nathaniel “Jerry” McCarthy, forming a group whose early recordings were attributed to “The Flames” and, possibly, “The Vikings”. Having renamed the group the Maytals, the vocal trio recorded their first album, “Never Grow Old – presenting the Maytals”, for producer Clement “Coxsone” Dodd at Studio One in 1962-63. With musical backing from Dodd’s house band, the legendary Skatalites, the Maytals’ close-harmony gospel singing ensured instant success for the 1964 release, overshadowing Dodd’s other up-and-coming gospel trio, The Wailers. The original album augmented by studio out-takes from the Studio One sessions was re-released by Heartbeat/Rounder Records in 1997, and is essential listening for Maytals and Skatalites fans.
After staying at Studio One for about two years, the group moved on to do sessions for Prince Buster (released in 1974) before recording their second album produced by Byron Lee in 1965 . However, the band’s musical career was rudely interrupted in late 1966 when Hibbert was arrested and imprisoned on drugs possession charges.
Following Hibbert’s release from jail towards the end of 1967, the band officially changed their name to Toots and the Maytals and began working with Chinese-Jamaican producer Leslie Kong, a collaboration which produced three classic albums and a string of hits throughout the late sixties and early seventies – “Do the Reggay”, a 1968 single widely credited with coining the word reggae, “Pressure Drop”, “54-46 was my number” and “Monkey Man”, the group’s first international hit in 1970 . The group was featured in one of reggae’s greatest breakthrough events – The Harder They Come, the 1972 film and soundtrack starring Jimmy Cliff, named as one of Vanity Fair’s Top 10 Best Soundtracks of all time.
Following Kong’s death in 1971, the group continued to record with Kong’s former sound engineer, Warwick Lyn; produced by Lyn and Chris Blackwell of Island Records, the group released three best-selling albums, and enjoyed international hits with Funky Kingston in 1973 and Reggae Got Soul in 1976.
Toots and the Maytals’ compositions would be given a second airing in 1978-80 during the reggae-punk and ska revival period in the UK, when The Specials included “Monkey Man” on their 1979 debut album and The Clash produced their version of “Pressure Drop”. Having toured throughout the world for many years, Toots and the Maytals disbanded in the early 1980s, but reformed in the early 90s to continue touring and recording successfully. Sublime recorded cover versions of some Maytals songs in the 1990s as well.
The band recently won the 2005 Grammy award for best reggae album True Love, an album consisting of re-recorded versions of their classics alongside popular and legendary musicians such as Bonnie Raitt, Willie Nelson, Eric Clapton, and Keith Richards, as well as popular artists today such as No Doubt, Ben Harper, The Roots, and Shaggy.
Toots and the Maytals remains a relevant influence on today’s global music scene with artists from Amy Winehouse to Sublime re-recording classic tracks. Toots recieved another Grammy nomination for his 2008 release “Light Your Light. In recent years Toots has toured with The Rolling Stones, Dave Matthews, Sheryl Crow and Los Lonely Boys.
“Anders Osborne is a triple threat as a singer, songwriter, and instrumentalist. He can play the gutbucket bluesman and hot guitar slinger, and he can play the sensitive, soulful singer/songwriter, and he’s excellent at both. Mastering either genre puts you in select company. Mastering both is mind-bogglingly great.” –Paste
Between the sheer force and potent lyricism of his guitar playing, the riveting depth of his songwriting and the straight-from-the-soul conviction of his vocals, New Orleans’ Anders Osborne is among the most original and visionary musicians writing and performing today. Relix says Osborne plays “hard-hitting songs” featuring his “raging, expressive guitar and soulful singing…from scorched-earth rock to sweet, tender ballads.” OFFBEAT magazine recently named Osborne the Crescent City’s Best Guitarist for the second straight year, and also awarded him with the Best Roots Rock Artist title. GUITAR PLAYER called him, “The poet laureate of Louisiana’s fertile roots music scene.”
Osborne was destined to live in New Orleans, and it’s no surprise he’s become one of the city’s favorite sons. His path home, however, was a long and winding one. He was born in Uddevalla, Sweden in 1966. His father was a professional touring jazz drummer who played all over Europe and was exposed to a lot of styles of popular American music. He brought home reel-to-reel recordings of jazz, R&B and early rock ‘n’ roll from artists as diverse as Little Richard, Fats Domino, Bill Haley, Art Pepper and Miles Davis. As a teen, Anders started playing guitar and listening to Bob Dylan, Neil Young, Jackson Browne, and Joni Mitchell records. He fell in love with the vocal styles of Ray Charles, Van Morrison and Lowell George. Then he heard the blues of Robert Johnson and recordings of African drumming, and suddenly, everything clicked. “Blues connected everything together for me,” Osborne recalls. “The early rock, the R&B, the jazz, the singer-songwriters. Blues was like a thread running through everything.”